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Facing The Modern: The Portrait in Vienna 1900 (National Gallery)
I’ve always thought that the National Gallery could have a better temporary exhibition space – but this time its underground location was less of a weakness and more of a metaphor. For if history tells...
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The Visual Brain and the Straight Line
Caroline Villers Research Fellowship Lecture: How our Visual Brains Interpret Painted Lines Tuesday, 4 February 2014, Dr Pia Gottschaller (Caroline Villers Research Fellow 2012-13) Reflecting the...
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Vladimir Baranov-Rossiné (1888-1944): From Cubism to Surrealism (St...
The Sphinx of St Petersburg(1909) © St Petersburg Gallery If every ground-floor window on Cork Street is alive with the lure of artworks, St Petersburg Gallery’s is ablaze with a kaleidoscope of...
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Flip, Linger, Glide: The Movements of Magazine Pictures and Their Publics c....
Coles Phillips, cover design, Good Housekeeping, February 1915 Jennifer Greenhill’s talk focused on the illustrations of early 20th -century female periodicals, especially the work of American...
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Exhibit ‘A.’ Russian Art: Collections, Exhibitions and Archives, 21-22 March 20
Ilia Repin, Portrait of Pavel Tretyakov, 1901 (detail). Tretyakov Gallery, Moscow Organised by the Cambridge Courtauld Russian Art Centre (CCRAC) in collaboration with the Moscow Lomonosov State...
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The Quintessential Billie Holiday
Photo: Syd Shelton Professor Carol Tulloch’s talk The Quintessential Billie Holiday explored the different ‘style narratives’ created by the famous jazz singer Billie Holiday (1915-59) during her...
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From the Forest to the Sea: Emily Carr in British Columbia (Dulwich Picture...
Emily Carr, In the Forest, B.C., c. 1935, oil on paper, mounted on multi-ply paperboard, ART GALLERY OF ONTARIO, Bequest of Professor Kathleen Coburn, 2004, 2004/128 From the Forest to the Sea...
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